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dc.contributor.author | Whipple, Katie Griffin | |
dc.coverage.spatial | United States | en_US |
dc.date.accessioned | 2024-06-25T15:35:23Z | |
dc.date.available | 2024-06-25T15:35:23Z | |
dc.date.issued | 2024-05-30 | |
dc.identifier.other | 275597c3-03ae-43ab-b251-416439644829 | en_US |
dc.identifier.uri | https://hdl.handle.net/10428/7192 | |
dc.description.abstract | The purpose of this qualitative study was to explore how undergraduate music therapy students perceive, describe, and make meaning from their pre-internship clinical experiences. Using a basic qualitative research approach and marrying arts-based methods with reflexive thematic analysis methods, the following research questions guided my research— How do pre-internship undergraduate music therapy students make meaning from their pre-internship clinical experiences? How do pre-internship undergraduate music therapy students perceive and describe themselves and their pre-professional identity? How do pre-internship undergraduate music therapy students perceive and experience working with clients in a real-world setting? How do pre-internship undergraduate music therapy students perceive and understand the practice and profession of music therapy from their pre-internship clinical experiences? | en_US |
dc.format.extent | 1 electronic record. PDF/A document, 470 pages, 9851958 bytes. | en_US |
dc.format.mimetype | application/pdf | en_US |
dc.language.iso | en_US | en_US |
dc.rights | This dissertation is protected by the Copyright Laws of the United States (Public Law 94-553, revised in 1976). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of the materials for financial gain with the author's expressed written permissions is not allowed. | en_US |
dc.subject | Dissertations, Academic--United States | en_US |
dc.subject | Higher education | en_US |
dc.subject | Music therapy | en_US |
dc.subject | Ambivalence | en_US |
dc.subject | Cooperation | en_US |
dc.subject | Composers | en_US |
dc.subject | Experiential learning | en_US |
dc.subject | Impostor phenomenon | en_US |
dc.subject | Undergraduates | en_US |
dc.subject | Clinical psychology | en_US |
dc.title | Understanding the Pre-Internship Clinical Experiences of Undergraduate Music Therapy Students | en_US |
dc.type | Dissertation | en_US |
dc.contributor.department | Department of Curriculum, Leadership, and Technology of the Dewar College of Education and Human Services | en_US |
dc.description.advisor | Workman, Jamie | |
dc.description.committee | Parker, Forrest | |
dc.description.committee | Ruttencutter, Gwen | |
dc.description.degree | Ed.D. | en_US |
dc.description.major | Education in Curriculum and Instruction | en_US |