Odum Library
dc.contributor.author | Durden, Taylor Ann | |
dc.date.accessioned | 2024-10-17T15:09:28Z | |
dc.date.available | 2024-10-17T15:09:28Z | |
dc.date.issued | 2024-08-12 | |
dc.identifier.other | 48c90fe8-31d1-49b5-90f7-58cb7139ee1e | en_US |
dc.identifier.uri | https://hdl.handle.net/10428/7327 | |
dc.description.abstract | The increase in technology use remains constant and transforms how we interact, work, and access information in the digital age. As fanfiction grows in popularity, self-publishing platforms such as Archive of Our Own, Fanficiton.net, and Wattpad attracts the attention of big-name publishing houses. Fanfiction writing is a common way for young writers to experiment with writing at their own pace and advance into more difficult genres with a supportive community behind them. The audience for these stories is often other young female writers and readers, so this gives them the opportunity to build a strong rapport with other young readers who can relate to and engage with the narratives. Fan writing is important for young female writers and allows them to challenge gender norms, explore their sexuality, and can even be a gateway to professional writing. Most fanfiction writers included in this thesis concluded that writing fanfiction helped their writing tremendously and boosted their confidence in writing. | en_US |
dc.description.tableofcontents | Chapter I. Introduction 1 -- Fanfiction and its History 2 -- Chapter II. Fanfiction as a Creative Outlet and the Fan Community 7 -- Chapter III. Developing Writing Skills and Literary Analysis Through Audience Feedbac k12 -- Chapter IV. The Legality of Fanfiction in the Literary World 21 -- Chapter V. Popular Examples of Fanfiction 32 -- Fifty Shades of Grey by E.L. James 33 -- After by Anna Todd 34 -- The Mortal Instruments: City of Bones by Cassandra Clare 35 -- Other Female Fans Turned Authors 36 -- Chapter VI. Conclusion 41 -- Future Extension 43 -- Ending Remarks 44 -- Chapter VII. Works Cited 46 | en_US |
dc.format.extent | 1 electronic record. PDF/A document, 57 pages, 1836457 bytes. | en_US |
dc.format.mimetype | application/pdf | en_US |
dc.language.iso | en_US | en_US |
dc.rights | This dissertation is protected by the Copyright Laws of the United States (Public Law 94-553, revised in 1976). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of the materials for financial gain with the author's expressed written permissions is not allowed. | en_US |
dc.subject | Academic theses | en_US |
dc.subject | English | en_US |
dc.subject | Creative writing | en_US |
dc.subject | English literature—Study and teaching | en_US |
dc.subject | Fan fiction | en_US |
dc.subject | Fans (Persons) in literature | en_US |
dc.subject | Self-publishing | en_US |
dc.subject | Women authors | en_US |
dc.subject | English literature | en_US |
dc.title | From ‘Fans’ to ‘Fan’-tastic Writers: A Closer Look into Fanfiction and Legitimatizing Female Authorship through Fanfiction Writing | en_US |
dc.type | Thesis | en_US |
dc.contributor.department | Department of English Of the College of Humanities and Social Sciences | en_US |
dc.description.advisor | Blix, Eric | |
dc.description.committee | James, Christine | |
dc.description.committee | Hall, Deborah | |
dc.description.degree | M.A. | en_US |
dc.description.major | English | en_US |